Dean du Plessis could tell Zimbabwean cricket had turned a corner by the noise of the crowd. The veteran broadcaster, who was born blind, has forged a remarkable career as a commentator by distinguishing the game’s almost imperceptible audio shifts. He can tell a slower ball has been bowled by the fractional delay before ball meets bat. He can tell if a batter has pressed forward or back by the scratch of spikes against the hard pitch. And, in 2018, he could tell the sport he loved would never be the same again.
"It makes you feel a better person," he says.
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There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.
Медведев вышел в финал турнира в Дубае17:59
第三十八条 非法携带枪支、弹药或者弩、匕首等国家规定的管制器具的，处五日以下拘留，可以并处一千元以下罚款；情节较轻的，处警告或者五百元以下罚款。